In 2025, Kenyans searched for more than just music; they searched for meaning. The year’s most-queried songs on Google paint a vivid portrait of a nation caught between grief and celebration, memory and reinvention.
From a calypso classic revived by a moment of national mourning to East Africa’s newest viral hits, Kenyans turned to music to make sense of a turbulent year marked by political shifts, economic pressure, digital transformation and emotional milestones.
Google’s annual search trends reveal not just what people listened to, but what they felt, feared, hoped for and held onto; offering a soundtrack to the country’s collective heartbeat.
Jamaica Farewell – Harry Belafonte
This classic calypso tune unexpectedly became the most searched song of the year after the death of former opposition leader Raila Odinga. Jamaica Farewell was Odinga's favourite song. Its themes of departure and longing echoed the national mood, with millions revisiting the song as they processed grief and remembered a political figure who defined Kenya’s democratic journey.
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Adonai – Nathaniel Bassey
Kenya’s deep connection to gospel music was evident in the surge of searches for “Adonai.” Its worshipful tone offered calm and reassurance during a year marked by political tension and economic strain, becoming a spiritual refuge for listeners seeking hope and grounding.
Pawa – Mbosso
Mbosso’s “Pawa” thrived on TikTok and Instagram reels, propelled by dance challenges and short-form virality. The song’s rhythmic pull made it one of Kenya’s favourite East African imports of 2025, reinforcing how youth-driven digital culture continues to shape national music tastes.
Donjo Maber – Dufla & Iyani
A local hit powered by humour, slang and an addictive hook, “Donjo Maber” became a viral fixture on WhatsApp, TikTok and street playlists. Searches rose sharply as Kenyans sought the track behind the memes and short clips circulating online, cementing it as one of the year’s defining Kenyan anthems.
Backbencher – Toxic Lyrikali
This gritty, emotionally charged record resonated with young people navigating economic frustrations and social pressure. “Backbencher” became popular not just for its raw delivery but for the honesty in its storytelling, mirroring the lived realities of many Kenyans in 2025.
Nyaduse – Kodongklan
Kongkaln is a group made up of Bensoul, Okello Max, Charisma, Mordecai Dex (from H_art The Band), Coster Ojwang, Ywaya Tajiri, and Israel Onyach (from Watendawili). Rooted in regional flavour and storytelling, “Nyaduse” reflects the rise of community-driven music culture. The track gained traction nationwide as listeners embraced sounds that celebrate language, identity and local heritage, further widening Kenya’s sonic landscape.
Jowi – Coster Ojwang
Coster Ojwang's “Jowi” attracted attention for its emotional intensity and cultural grounding. It resonated deeply with audiences drawn to Kenyan traditional elements blended with contemporary rhythms, pushing the song into the national search charts.
Taya – Okello Max
With its signature blend of Luo musicality and modern East African production, “Taya” continued Okello Max’s rise. The song’s emotive delivery and cultural depth made it a favourite among listeners seeking something both fresh and rooted in identity.
All My Enemies Are Suffering – Bien
Bien’s bold, provocative title alone sparked widespread curiosity. Searches soared as Kenyans looked up the meaning behind the phrase, and the track’s themes of confidence, resilience and overcoming challenges aligned with the year’s broader emotional climate.
My Darling – Chella
Soft, romantic and soothing, “My Darling” offered escapism during a tense year. Its mellow tone and emotive vocals captured listeners seeking comfort, making it one of the most searched songs for relaxation and reflection.
Meanwhile, lyrics searches in 2025 reflected the same emotional blend that shaped Kenya’s music choices. The most-queried lines included “Jamaica Farewell Lyrics,” “Not Like Us Lyrics,” “Pawa Lyrics,” and “Donjo Maber Lyrics.” These tracks dominated online lookups as Kenyans tried to understand deeper meanings, learn verses for sing-along moments, or decode the cultural conversations sparked by viral hits.
The next cluster of searches featured “Backbencher Toxic Lyrikali Lyrics,” “Kasongo Lyrics,” and “Shake It To The Max Lyrics,” reflecting strong public curiosity about regional lyrics, grassroots hits, and viral tracks. This batch highlights how listeners actively engaged with songs that resonated beyond mainstream charts; from honest, socially conscious rap to regional favourites and short-form viral hits that dominated TikTok and WhatsApp.
The final group included “Nuru Yako Umenitoa Gizani Lyrics,” “Uniondolee Dhambi Nitakase Lyrics,” and “Minister of Enjoyment Lyrics.” These searches illustrate the diversity of Kenyan music consumption, spanning gospel, street anthems, club tracks, and emerging artists. The group also underscores the growing trend of online virality, where songs gain attention through digital platforms and community sharing, rather than traditional radio or commercial promotion.
